The TimeLine Multi-Dimesional Delay is the world’s finest and most versatile delay product. 96KHz processing buffered by dual 12AX7’s produces un-compromised signal quality of the processed sound, while the analog dry path ensures transparency. From vibrato, phasing, flanging and chorus, to slap-back, long echoes, multi-head and reverse, the TimeLine’s continuous controls let you create your sound simply by turning knobs. The user presets, tap tempo, strum tempo, 2-track looping, and MIDI implementation make sure the TimeLine delivers in any performance or studio application. Features: - Eight continuously variable controls: Time, Feedback, Mix, Mod Speed, Mod Depth, Drive, Filter and Smear - 96KHz processing - Two track 20 second Looper - Analog dry path - Analog bypass - Extended control with MIDI functionality - True stereo operation - Tap tempo and strum tempo delay time - Eight presets (virtually unlimited through MIDI) - Comprehensive LED indicators - Amluminum Die-Cast chassis - Power supply included - Dual 12AX7 tubes biased at 250V internally MP3 FILES Slap– A quick delay (about 120ms) with some filtering and a touch of time-smearing to achieve a great traditional slapback echo sound. The wet/dry mix is set to 50% for a classic effect. Dreamy– A lush delay that showcases the beauty of slow modulation with time-smearing, grit and a filter that focuses the tone of the repeats over time. This one goes on and on… Roto– A sub-5 millisecond delay with lots of modulation and a full-wet mix creates a great rotary speaker vibe. Add some filtering and a touch of grit for smoke-filled venues. DigSubdivide - A straight digital carbon-copy delay. The TimeLine’s sub-divide settings make this kind of rhythmic delay easy to achieve. Chorus– A slowly modulated delay of 25ms or so with no repeats and a 50% wet/dry mix creates a classic chorus. The TimeLine creates a beautiful stereo image and allows you to tailor the sound with the filter, grit and smear controls. This clip showcases a clean, full-bandwidth chorus sound. Spacey– A short delay with repeats set at maximum to ensure oscillations. Add a heavy dose of slow modulation to tilt everything sideways. The grit and filtering create a fat, musical runaway delay. At the end of the guitar notes, the delay time knob is tweaked for some sci-fi fun. Take your Dramamine for this one. Reverse – Always fun to play with, the TimeLine’s Reverse mode allows for a full 2.5 second of delay with all features fully functional. ResoEQ– This example shows how a short delay (1 to 10ms) with lots of feedback (repeats) creates a resonant filter with tuning determined by the delay time. This is essentially a flanger with a Manual control. This clip shows the same riff with different delay times. Dry at first, then various delay times.
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